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‘Succession’: In the cutthroat HBO drama about a family of media billionaires, being rich is nothing like it used to be.

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‘Dickinson’: The Apple TV+ series is a literary superheroine’s origin story that’s dead serious about its subject yet unserious about itself.

‘Inside’: Written and shot in a single room, Bo Burnham’s comedy special, streaming on Netflix, turns the spotlight on internet life mid-pandemic.

Here are some of the highlights selected by The Times’s TV critics: Television this year offered ingenuity, humor, defiance and hope.

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(“Maybe life is just circling just waiting for a spot.”) It’s a show that gathers loose parts (a montage of shots of personalized license plates, say) and somehow turns them into wildly eccentric, oddly poignant comedy.

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An episode on appreciating wine asks how to engage with society without becoming conformist one about finding a parking spot is a brief for the virtue of boredom.

Wilson builds every episode around teaching some new skill before getting interrupted by a diversion that seems to stumble into a philosophical meditation on a broader theme. This set the stage for the most ambitious and cerebral example of the genre, “How To With John Wilson,” whose executive producers include Fielder. His cringe comedy often began as a spoof of the hustle of American entrepreneurs, but invariably spun off into melancholy, oddly poetic moments. Nathan Fielder, who has also worked with Baron Cohen, pioneered a more personal, emotionally tender strain in “ Nathan for You” (which ended in 2017) playing a mild-mannered consultant who helps small-business owners achieve their dreams. The latest Dave Chappelle controversy or topical “Saturday Night Live” sketch get more headlines, but in a less heralded corner of comedy, a quiet revolution is taking place. Wilson, who writes, stars and narrates this self-portrait of sorts, is the quietly radical auteur of a rapidly ascendant branch of comedy that uses the raw materials of unscripted slices of the real world to make jokes. But one tip-off comes when Wilson offers as collateral a collection of printed-out reactions (including a Mindy Kaling tweet) inside a folder labeled “good reviews.” The exasperated look on the face of the lender operates as a punchline. It’s not easy to define this singular show. “Like, uh, it’s kind of like memoir, essay, um.” “I’m an, uh, documentarian,” he says, struggling to categorize his work. At the start of the second season of the HBO series “How To With John Wilson,” the titular star, a stammering innocent, visits a mortgage broker to get a loan.